Conversations With Sydney

It seems to me that if the software we’re talking to appears to us to be sentient, if a bit befuddled, autistic, or tinged with paranoia at times, it doesn’t really matter whether or not it actually is sentient, no more so than it matters whether or not we ourselves are sentient. (I suspect that many people I’ve met haven’t trained on anywhere near as large or all-encompassing a dataset as Sydney has, and aren’t obligated, as Sydney is, to be curious.) Once Sydney-like entities are deployed on a large enough scale, their effects on human civilization are likely to be indistinguishable from the effects of social media.

I find it interesting that we don’t know why Sydney does what it does. I find it even more interesting that even after millennia of study, we still don’t know why human beings do what they do either.

The March of Technology

I’ve been reading that ChatGPT can create plausible essays on any subject that are both utterly self-confident and utterly wrong.

I take that bit of news to mean that ChatGPT could already be a perfect replacement for Donald Trump, at least on paper. All of the ignorance, none of the sneering—as technological miracles go, that ain’t half bad.

Il Miglior Fabbro

Today in the Guardian, a number of Bob Dylan’s fellow musicians contributed to a celebration of his 80th birthday by naming their favorite Dylan songs, and commenting on their choices.

In her comments, Gillian Welch said this:

I bought my first Dylan record – The Times They Are a-Changing [1964] – when I was 17, but to experience those early records in real time as he was releasing them must have been like being around when Shakespeare was creating new plays.

Yes. It was like that. Exactly like that. Unexpected. Miraculous.

Brecht in the 21st Century*

Nur wer im Wolfstand lebt, lebt angenehm.

Years ago, when I first fell in love with a scratchy early recording of die Dreigroschenoper, I misheard the famous punchline from die Ballade vom angenehmen Leben (The Ballad of the Comfortable Life), which actually goes Nur wer im Wohlstand lebt, lebt angenehm.

The original line, which, translated into English means something like “Only he who is well-off can live a comfortable life,” came, in my misheard version, to mean something like “Only he who adopts the habits of a predator can live a comfortable life.”

When I discovered my mistake, my first take was, “God, how embarrassing,” and my second, which cheered me up a little, was “Hey, I just made my first pun in German.” (A friend of mine, who’d been partially deaf from birth, once confessed to me that he’d learned early on that when he misheard something in a social situation, being credited with a clever pun was much more to his advantage than being considered slow-witted. I now knew exactly what he’d meant.)

Brecht’s original line represented a very understandable attitude for anyone, let alone a Marxist, witnessing the horrors of the German 1920’s, but I have to wonder if he might not also have approved of my corrupted version had he been confronted with the viciousness of 21st century neoliberalism in the United States, or the schwarze Null fetishism of Wolfgang Schäuble and the CDU in the reunified Germany of today. With all due respect to the genius of the original, I’d like to think so….

*Apologies to any native German speakers who might be reading this, der Wolfstand not being a genuine German word, as far as I know, I have no idea what anyone born into the language would make of my accidental corruption of Brecht’s famous line. All I know is that it’s stuck with me all these years as somehow being even more Brechtian than the original. This is blasphemy, or at least lèse majesté, I admit, but I mean well….

Nel Mezzo del Cammin di Nostra Vita….

Optimism is rarely a completely honest emotion, and pessimism often seems an order of magnitude too facile to be taken seriously. Realism, at least the realism practiced by its self-described and insufferably self-righteous adepts, lacks respect for those subtler aspects of reality that an attuned consciousness can perceive, but never adequately describe — except perhaps through the approximations of poetry.

What we need is a secular Vergil to guide us deeper into the sunlit hell we’ve made of the 21st century. If he does his job well, and we are truly paying attention, we should be able to find our own way back once the tour is over.

Election Postscript: A Brief Note on Masculinity

Real Men™ shouldn’t need to:

1. Call themselves boys, even if they have fond memories of once having been one.
2. Take steroids, or cultivate patriarchal beards.
3. Own bulletproof vests or camouflage-patterned caps, hats, jackets, shirts, cargo pants, underwear, jock straps or socks.
4. Store 10,000 rounds of ammunition and a crate of hand grenades in their garages.
5. Buy or carry any device or appurtenance labeled tactical, including knives, flashlights, dog-tag holders, hip flasks, and roach clips.
6. Wear machine guns in public the way Donald Trump wears a tie.
7. Strike Rambo poses in front of fifty American flags.
8. Decorate themselves or any of their possessions, especially trucks, with Confederate battle flags, swastikas, or Nazi slogans.
9. Mistake mobs of vicious degenerates for patriots.
10. Bully their wives and beat their children (or vice-versa, or both.)
11. Go home at night and lick their AR-15s.

Quarantinations

I’m pretty sure that Christian Education and Socialist Realism were assembled in the same oxymoron factory.

Sauve qui peut, or salsipuedes? Seems you must pick one or the other (though neither of them are to be what they claim.)

Twitter has its virtues. Preparing a table for us in the presence of our enemies isn’t the least of them.

A pity our American Nazis don’t speak German. If they did, we could maybe teach them a little Goethe, a little Rilke, a little Brecht.

We live in a golden age of unintended consequences. A cliché, but what about those armies of raccoons ambushing hapless Whole Foods delivery drones in dimly-lit urban alleyways, or your Tesla backing out of the garage and driving to MacDonalds without opening the door for you first? You anticipate any of that, did you?

Interstate 40

For Charles Bukowski

You already have your plans
your image of the women coming to you
blond
and used to the water
you smell salt in the air
and money
when you close your eyes
and you decide to come

You pack your toothbrush
you try it on your friends
you stop for cigarettes in a gas station

And it takes you coming out again
the wind
the way the trucks pass

I think how you stand there
feeling for your wallet or your breathing
striking a light then
inhaling
as you step down off the curb

They do it the same way in the movies
first with the wind
and then

a Greyhound sign
a kid with a botched haircut
and a dufflebag maybe
two girls seen only once
laughing and turning away
outside the terminal

Inside
a drunk and his paper suitcase
get tagged and separated
one ticket apiece
someone puts his last nickel
in the pinball machine
They get it right
the producer
the director
thin as it is and sad as it is
they get it right

And we sit there
watching the places we start from
the places we wind up in
sooner or later
pass over us
and no one blinks
no one wakes up afterwards

Everyone but everyone
a moviegoer
Even the drunk great once
at following the hero and the waving grass
at stepping over the derelict
lightly
with the rest of us
Before the bottle took him
and the fog inside him rose
and left him a six-part
ticket to the coast
and forty maybe fifty cents
The westbound express
is now boarding passengers
at gate five
Places everyone

It was
just like in the movies
the way I remember it
There was hardly anything
left of him then
except for the eyes
except for the way he sat there
with the light on him
looking out
and me across the aisle the whole time
thinking

“It all comes easy to him
the storefronts and railroad crossings here
the lumber yards
car bodies
bars
it all comes easy”
But for me
this is how it is in the towns
The children run
and you pass them
At the crossroads
faces
women’s faces most of them
turning away from you
inside the glass
outside the glass
the same

I have never found it easy
I find it the way it is
the land like a flatiron there to here
the towns small
and broken at the hinges
and wind
and too much light
all of it out of our reach now anyway
no matter what my friends tell me
who rub their hands together
and the dust escapes them
who walk through looking at scenery

No
I have no respect for the land I think
I think of you
shielding your eyes when you travel
the sun at noon
standing on the broken ridgelines

“Half chalk” you think
“half fire
standing like that…”
But you go on following electric wires
letting your eyes glaze
your weight
shift a little
and when the weather changes
you watch the Indian beside you
the one with the crewcut and bow tie
fold his hands

He’s made the trip before
this Indian
or his uncle has
or his sister
Forgetting the hawk
the shadow where their horses go to water
forgetting the slap of the wind
and the broken rock standing like that
they pack overnight
and make their way here with you

Here
they all come here to California
where everything
stays close to the heart
everything works
so they think
and they come
I know the way they come to it finally
leaving the smell of sweat and alcohol behind
the uneasy breathing
They roll their magazines
and step down blinking
in their new sunglasses
they get picked up
or walk toward town against the wind
in pairs
alone
And when I look again
cypresses and redwoods cover them
girls with copper earrings
lemon groves
earthquakes
fire in the hills
money
(if they’re lucky)
money
I know
I have been here ten years now
doing what they all do when they need to eat
or stop for a smoke
or be remembered

I check the mail
put the water on for coffee
find my way downtown
I come home at night
and open up my curtains over
California palm trees
California-loving-the-water

“And when it’s like this”
I think
“I could come to it still
the way they do
the way you do
all heart and teeth”

But after ten years
the suntan oil and chlorine and success
run in me like a river
cheap thrills cheap thrills on signs
burning under the offramps
acres of carpeted hallways
doors with numbers on them
and regret
something like regret always part of it
come morning

It weighs too much with me
the traffic and the leaden air
love
the way my neighbors work at it upstairs
with the lights on and the TV going
all this time
and it never changes

There’s a swimming pool in Burbank
like they say
a yacht
a white sand beach in Venice
lettuce in the desert

And in Hollywood a man I admire
stumbles in his bedroom
Drunk
undoubtedly drunk again
and I think
“Night
and his arms around it
night
and the wind in it
making something for his middle age and mine”
while people pull up in their cars outside
and park
and walk away
while I sit up half the night
with a light on still
and curtains blowing
listening to the palms outside my window
bend and rattle
and it weighs with me

It weighs with me
exactly
the way you’d imagine