Ars Gratia Artis Ain’t the Half of It

The sarabande from Bach’s cello suite no. 2 in D minor, BWV 1008, was my first glimpse into the one abyss that human beings can always look into with confidence that their eternal immaturity will be respected. Music is the abyss that looks back into us without any attempt to claim dominion over us, the abyss that offers us a rare chance to defeat entropy. Music isn’t always destined to soothe the savage beast in us—every once in a while it escapes the definitions we’ve reserved for it and confirms the fundamental savagery of our right to exist in a universe filled with marvels that otherwise might remain beyond us in every way.

In Search of Lost Angeles—December 27, 2024

58 years ago a twenty year-old Mike Davis taught me to love LA. Even then he was a sharply critical lover of that magical place, so I’m not sure how it was that, despite his tutelage, my love for LA came to be so much less critical than his. Like Randy Newman, I loved LA without reservation, and kept loving it even when, roughly 25 years after I last saw Mike, I found myself reading my library’s copy of City of Quartz and nodding along in agreement as I followed his historical analysis of what I’d long since thought of as his city far more legitimately than it had been mine.

These days, I live in Arizona, feeling much more exile than expatriate, even on my good days, for reasons anyone who’s spent any time in Dogtown will understand. I’ve long wanted to thank Mike publicly for his exuberant gift to my younger self, but not having the patience to write memoirs, and being temperamentally unsuited to the writing of eulogies, I never got around to it while he was alive, and couldn’t bring myself to commit to it in the days after he passed, as surfing on his hard-earned fame as a public intellectual seemed a rotten way to honor his memory.

So let me do this instead: For anyone who lives in LA for any length of time, and responds to it as I did, memory becomes a sort of protean creature, one which with or without their consent claims a small but significant share of their consciousness. One can never tell for sure whether what one remembers is something lived in the flesh, experienced vicariously in a darkened movie theater, or simply appears unbidden as an inexplicably alchemical fusing of the two.

This, then, is the introduction to a series of small, but haunted Los Angeles memories that have affected me more deeply over time than I had any reason to expect when they first came to me. They’re personal, of course, not necessarily having any significance for anyone but me, but I offer them here for any others who may find them resonant—you’ll know who you are. Above all, though, they’re my thanks to the Mike I still remember from those long ago days when we were both impossibly young, who long before he had any thought of leaving the life he lived so furiously, gifted me with this oddly Southern California capacity for double vision that I’ve treasured ever since.

Unbidden Bits—December 23, 2024

Historians of the Future:

Frank Herbert’s Dune seems to have been written by a man who’d read too much Gibbon. Max’s DUNE Prophecy, on the other hand, seems to have been created by people who’ve watched too much TikTok.

Viewed from a certain critical perspective, both are satirical masterpieces, and like all such masterpieces, feel eerily appropriate to their times.

The Rush To Surrender

Whenever I read about our new capitalist overlords gutting each other over who gets to profit from the rabbit-out-of-a-hat tricks of large language models, I have to laugh. Here are a handful of quotes that will give you some idea why:

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I don’t believe this is necessarily intentional, but no machine that learns under capitalism can imagine another world.

—@kat@weatherishappening.network, from a Mastodon thread about ChatGPT

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Und so wie gesellschaftliche und technische Entwicklungen zuvor die Unantastbarkeit Gottes in Zweifel zogen, so stellen sie nun die„Sakralisierung” des Menschen zur Disposition.

And just as social and technical developments once cast doubt on the sanctity of God, so they now subject the sacralization of humanity to renegotiation.

—Roberto Simanowski, Todesalgorithmus: Das Dilemma der künstlichen Intelligenz (Passagen Thema)

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Der tiefere Sinn der Singularity-These ist die technische Überwindung kultureller Pluralität.

The deeper meaning of the singularity-thesis is the triumph of technology over cultural plurality.

—Roberto Simanowski, Todesalgorithmus: Das Dilemma der künstlichen Intelligenz (Passagen Thema)

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Die Aufklärung ist der Ausgang des Menschen aus seiner selbstverschuldeten Unmündigkeit.

The Enlightenment is the emergence of humankind from its self-inflicted immaturity.

—Immanuel Kant, Beantwortung der Frage: Was ist Aufklärung

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Remember, imbeciles and wits, 

sots and ascetics, fair and foul, 

young girls with little tender tits, 

that DEATH is written over all. 

Worn hides that scarcely clothe the soul 

they are so rotten, old and thin, 

or firm and soft and warm and full— 

fellmonger Death gets every skin.

All that is piteous, all that’s fair, 

all that is fat and scant of breath, 

Elisha’s baldness, Helen’s hair, 

is Death’s collateral: 

—Basil Bunting, Villon

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Say what you will, it’s clear to me that the Pax Americana, and more generally humanism itself, with all its honorable striving, are both well and truly done. Contemplating what passes for virtue and wisdom among those so obviously eager to feast on the leftovers would make even the gods laugh.